Wired for Culture: How Language Enabled “Visual Theft” (via @brainpicker)

Maria Popova reviews ‘Wired for Culture‘ by Mark Pagel.

Language, says Pagel, was instrumental in enabling social learning — our ability to acquire evolutionarily beneficial new behaviors by watching and imitating others, which in turn accelerated our species on a trajectory of what anthropologists call “cumulative cultural evolution,” a bustling of ideas successively building and improving on others. (How’s that for bio-anthropological evidence that everything is indeed a remix?) It enabled what Pagel calls “visual theft” — the practice of stealing the best ideas of others without having to invest the energy and time they did in developing those.

I like to consider it a nice sabot hurled into the steam-engine of anti-piracy ravings.

Read it, I command you: http://www.brainpickings.org/index.php/2012/02/28/mark-pagel-wired-for-culture/

Do we still need Publishers? (via @annetreasure)

This is from the Guardian’s Book Blog, where a talk by author Anthony Horowitz has been summarized in a good article:

The title of this talk is, “Do We Need Publishers Any More?”. I was going to call it “Thank Christ We Don’t Need Bloody Publishers Any More” – but I felt that sounded too partisan.

I don’t believe we don’t need publishers anymore, but I do believe the established publishers need to catch up to modern attitudes towards publishing. For example, demanding electronic rights without offering reasonable royalties just isn’t going to cut it in the future.

I could upload the new Apple iBooks Author software which will allow anyone to produce high-quality fiction. High-quality print, paper and covers, anyway. It’s true that Apple have cannily demanded 30% of all profits and you can only sell your books through Apple stores, meaning that effectively they own you. But 70% is still tempting. Amazon is offering the same deal with their Digital Text Platform and I’m not saying anything bad about them in case they remove the BUY button from Alex Rider – as they did with all Macmillan books two years ago. That’s a glimpse of the world we’re now entering.

Anthony’s talk is engaging and entertaining, and worth reading in its entirety. He’s certainly not dismissing the role of established publishers:

I’m sure there are some very good self-published books out there and this may well be one of them – anyway, who am I to say? – but my feeling is that in some indefinable way, having a publisher raises the bar.

Read on here: http://www.guardian.co.uk/books/booksblog/2012/feb/27/anthony-horowitz-do-we-still-need-publishers

Monday Market – Arc magazine – 8 April, 2012 (via @arcfinity)

Arc magazine is brought to you by the makers of New Scientist, and their first issue is out now (buy it in various physical/electronic formats from http://www.newscientist.com/arc). On the cover you’ll see ‘Featuring new fact and fiction from: Margaret Atwood, Stephen Baxter, M John Harrison, China Miéville, Hannu Rajaniemi, Alastair Reynolds, Adam Roberts and Bruce Sterling.’

That’s a polite way of saying, ‘Behold! You are in the presence of some seriously heavy hitters in the Science Fiction field.’ As for how to send them submissions:

The short answer is: by invitation. Arc runs off commissions, not submissions. We’re going to publish four issues this year, and we have a pretty clear idea about what we’re going to do in each of them. We’ve already been in touch with many of the authors we’d like to work with over the remainder of the year, and we’ll be in touch with the rest soon.

However, Arc magazine is open to submissions in the form of a competition closing April 8, with the theme, ‘The Future Always Wins’:

Arc, in collaboration with The Tomorrow Project, is looking for new, original stories – between 3000 and 5000 words – set in the near future. What do we mean by that? Near enough to be recognisable, but not so near as to be boring. Technology, in whatever guise – from robotics 
to synthetic biology to geoengineering – 
should feature prominently, but we’re looking for stories, not theses, and the human element will have to be compelling. The current theme for submissions 
is THE FUTURE ALWAYS WINS.

Read the full details and submit here (note: you will need a free SubMishMash account to submit): http://www.arcfinity.org/submit

A Financial Breakdown of a Self-Published Project

I posted a link to Pat Grant’s excellently self-promoted and self-published graphic novel ‘Blue’, last week.

This timely follow up is from his blog, and details the breakdown of costings for his project. It’s really quite disappointing to see how much money is required, and the great risk involved to Pat directly. It’s a solid breakdown though, and gives you a bit of an idea where all the money disappears to in such projects (hint: most doesn’t go to the author).

Have a look here: http://www.patgrantart.com/boltonblue/blog/?p=150

The Importance of Cadence in Writing (via @LettersOfNote)

A cool picture posted by Letters Of Note on twitter, giving an example of cadence and pacing in your writing. It is attributed to Gary Provost’s 1985 book, ’100 Ways to Improve Your Writing’, which I have kindly searched up for you here.

It’s a great little example, so check it out: http://twitpic.com/8mdocm

PS: Letters of Note is actually a great site in general, and well worth checking out.

Author Publishes Book as Facebook Photo Album (via @galleycat and @joannapenn)

Every day I see new and interesting examples of digital story telling, and this Facebook book, published on facebook as a photo album, is another cool example:

Author Alex Epstein is releasing his latest collection of short stories as a Facebook photo album. For My Next Illusion I Will Use Wings includes 88 pieces of ‘micro-fiction’ which have been saved as images in a Facebook  photo album to create what he is calling a Facebook book.

Check it out: http://www.mediabistro.com/galleycat/author-publishes-book-as-facebook-photo-album_b47197

Ten Myths about Editors (via @RomanceUniv)

Romance University asks Theresa Stevens to debunk some myths about editors. Here’s an example, regarding the myth that Pitching work at a conference makes an editor more interested in your manuscript:

I found my success rate for finding new authors was roughly the same in elevators, bars and taxis as in formal pitch sessions. To be honest, I think pitches are about the worst way to connect with an editor. It’s a high-stress environment for the author and, well, let’s just say that it can feel a bit claustrophobic for the editor. Not exactly a good setting for a love connection.

Also, I speak to a few editors on twitter, and I know I always believed that:

10. Myth: Editors lead glamorous, exciting, celebrity-filled lives.

Link here: http://romanceuniversity.org/2012/02/17/ten-myths-about-editors-theresa-stevens/

Monday Market – Scape Zine YA Spec Fic & Poetry (via @ScapeZine)

Scape Zine specialises in Young Adult speculative fiction and poetry:

All Scape fiction and poetry must contain a speculative component. We’re into sword and sorcery, urban fantasy, magical realism, hard sci-fi, cyberpunk, alternate history, supernatural, myth and legend, post-apocalyptic, dark, light and all shades in between. If you can imagine it, we’ll consider it. That being said, to catch our attention you’re going to need to bring something fresh and edgy if your story features well-worn ideas such as vampires or time travel.

Young Adult fiction is an ever-growing field, and it’s great to see a dedicated magazine like Scape Zine:

Scape’s YA focus doesn’t mean we want ‘dumbed down’ or ‘censored’ stories. Quite the opposite. YA for us is broadly defined. It means fiction that is relevant, meaningful and of particular interest to young people. We’re not putting a specific age bracket on ‘young people’ and we aim for our publication to appeal to the ‘young’ and ‘young at heart’ alike.

They accept short fiction up to 8,000 words, and poetry up to 100 lines. Their pay rates are a generous 1 cent U.S. per word for original short stories, with a U.S. $10 minimum payment, and a flat $25 for poetry. Note that they pay via PayPal.

You can find all submission details here: http://scapezine.com/guidelines/

Self-publishing: SHAMELESS PUBLICITY DOCUMENT! (via @paula_kruger)

Promotion is a critical (and difficult, and expensive…) part of self-publishing.

This interactive graphical page by Pat Grant, promoting his graphical novel BLUE, is inspirational. It’s a clever comic that introduces his work in an entertaining and compelling (and occasionally disturbing) way. You should really check it out here: http://www.boltonblue.com/promo.html

 

Backing it up Old School (via @alanbaxter)

Alan Baxter posted yesterday about a clever way to get an old school hard copy backup of a lot of your digital writing.

These days, plenty of your work may only appear in online publications. Short of installing a few touch screen monitors inside your brag-shelf (actually, that’s a pretty cool idea), you’re not going to be able to display them easily.

[...] while it’s great to have all my writing saved and backed up, I still have a slight end-of-the-world niggle. My stuff is saved on the hard drive of my laptop. It’s also backed up on two extrenal [sic] hard drives, a USB memory stick and I have a cloud storage thing set up, so it’s on servers miles away. Every once in a while I also burn a DVD backup. But this is all digital. What happens when some fucktard supervillain drops an EMP and everything electronic becomes nothing more than a high-tech ornament?

I like Alan’s solution and will employ it myself in the future.

Read on here: http://www.alanbaxteronline.com/2012/02/15/backing-school.html